12/14/2023 0 Comments Hindemith ludus tonalis analysis![]() ![]() ‘ fervent, committed, technically dazzling interpretation never has appeared on CD, and it deserves reissue. Pianists who can solve Hindemith’s formidable demands have always had a great deal of fun playing Ludus tonalis, and a really distinguished performance of it can provide much enjoyment for the listener.’ - High Fidelity, May 1966 ‘Its technical and scholarly attributes are happily partnered by humour, charm and a great deal of fertile imagination. However, she made comparatively few recordings: this account of Ludus tonalis is her major legacy, but it has never been made available on CD. Her television debut on the BBC had led to a series of programs back in Stockholm where she lived with her husband at the time, the film director Ingmar Bergman. Siglind Bruhn’s serviceable technique allows her to negotiate the thornier Interludiums with reasonable fluency. Having studied with Edwin Fischer, Laretei had performed throughout Europe for the past two decades, becoming something of a celebrity. Jed Distler Artistic Quality: 5 Sound Quality: 7 Not many pianists have tackled Hindemith’s contrapuntal keyboard magnum opus on disc, and few with unqualified success. She recorded Ludus tonalis in a New York studio a few days after presenting it at Carnegie Hall, where she had won over the audience not only with her performance but also a question-and-answer session after the concert. It is a densely contrapuntal masterpiece that risks sounding. Although it is an utterly remarkable work, it is not an easy one to come to terms with (not to play either, one suspects). Having been coached by the composer in the cycle a decade earlier, she incorporated his performance suggestions and amendments to the score into her performance. Hindemiths Ludus Tonalis has received some excellent recordings, but it would be an exaggeration to call it 'popular'. There is a unique authority to this recording made in October 1965 for the Philips label by the Estonian-Swedish pianist Kabi Laretei. It’s a monument of modern keyboard literature whose forbidding reputation is belied by the approachable and highly varied nature of Hindemith’s writing. Moderato - Tranquillo - Largo', 'Ludus tonalis: No. Stream songs including 'Ludus tonalis: No. The hour-long piano cycle itself finds refuge from conflict in the reassertion of the time-honoured value of counterpoint, comprising twelve fugues and interludes framed by a prelude and its mirror image as a postlude. Listen to Hindemith: Ludus tonalis by Hans Petermandl on Apple Music. The affinity of each note with the keynote is directly related to its position on the harmonic scale. ![]() Hindemith wrote Ludus tonalis in 1942 while staying the US as a refugee from Nazi Germany. Ludus Tonalis can be thought of as the most direct application of Hindemiths theory that the twelve tones of the equally tempered scale all relate to a single one of them (called a tonic or keynote). $ Ī 20th-century counterpart to The Well-Tempered Clavier in a landmark recording, long unavailable, newly remastered and transferred to CD from the original tapes for the very first time. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |